Hi all – been a little while, but here we come back at ya, ready to rock it down.  First off, we have a new video up on Youtube.  Feel free to check it out:

 

 

Pretty nice, huh?  We thought so too.  And in other news, we have a nice little early show coming up at the Rendezvous in Seattle’s Belltown neighborhood.  Thursday May 7 at 7:30, DHC will start it off with a tight little set (with Brock on drums) and then turn it over to our good friends The Yes Pleases.  I have had a chance to hear a preview of their new album From Whence It Came, and it is really outstanding.  An added bonus, this show is pre-CD Release Party for these guys, so you will get to hear it all before most of the world.

 

www.theyespleases.com

www.myspace.com/theyespleases

So that’s where we are right now.  Also, Dave Hates Chico is on Twitter, and we will be letting you know where we are at any given time – being open mike enthusiasts, you never know what night or what time we will be in your neighborhood.  So there’s that.

 

We hope all is well – the Spring Rock Season is upon us!

 

See you out there,

Jeremy
Dave Hates Chico

Check out the super blue pants!

Check out the super blue pants!

 

Here’s a picture from the trip, snapped at the Silk Road Café in Chinatown, one of my favorite venues.  One of the few places DHC has played on each trip to NYC.

 

Sorry I couldn’t do a better job of keeping y’all posted from our travels.  Time just seems to fly by over there – you look at your watch and it’s noon, you grab a coffee, and next time you look at your watch it’s 4:00.  I chalk it up to a better reliance on trains over taxis this time, which requires better planning ahead, but we felt really rushed the entire time.  Shall I tell you all about it?

 

We arrived on Tuesday night.  That flight always feels very long.  We trained it in from Newark to Penn Station, and as we walked out of the station into the bigness that is the midtown area, with all its bright lights and hustling crowds, I thought to myself, “this place must have felt very different 30 years ago, pre-Giuliani, when standing outside Penn Station at night might get you killed,” and just as I was thinking that to myself, a big pack of dudes chased one smaller dude down the sidewalk, knocking people over left and right, catching the dude as he crossed the street.  They beat him pretty bad with baseball bats.  It was pretty surreal.  The cops were there immediately.  That was a little weird.  We caught a cab at that point.

 

We dropped our stuff at our friend Tina’s place in Brooklyn.  We would have just enough time to cab in to the city and meet Tina in Chelsea before getting to our first stop, a late Tuesday show at the Sidewalk in the Lower East Side.  We met at a place called Market, had some beers and some coffees, caught up a little bit, met Tina’s friend Jenny, and then hopped another cab to the show.

 

What to say about the Sidewalk?  It was nice to play, but we were delayed getting up, and not too many people stuck around to watch (Tina and Jenny were there, yay for them), so we said our thanks and busted over to Park Slope in Brooklyn to a place called Bar 4.  We got a spot at 3:30 AM, played a couple of songs, and afterward, grabbed a slice and headed back to Tina’s.  And if you don’t already know all about Tina, check out her blog here.  She’s a sweetheart.

 

Wednesday night we were back in the Williamsburg/Bushwick area, I think – at two venues.  Spike Hill is a nice little rock club – we really regretted not being able to play there in 2008, but the timing didn’t work out.  So we got to play this time, and it was all good.  Met some cool dudes called The Big Hat, they laid it down.  Other good music and comedy as well.  We hit out for one more Wednesday stop, at Stain Bar a few blocks away.  Did I mention that it was flippin’ FREEZING in NY the entire time we were there?  Well, it was.  Bitter cold.  Especially between 2 and 4 in the AM.  Stain Bar was a nice little coffee and wine bar, not too crowded, no amps or microphones, and the radiator was getting ready to blow up at any second.  We met some very nice people there, played a couple of 3 song sets, and made our way back to Brooklyn Heights.

 

Kay was our barista buddy at a place called Siggy’s on Henry Street – very sweet smile.  And the place smelled heavily of fresh cut wheatgrass, which is always nice.  So Thursday morning started out with coffee and breakfast at Clark’s, and then a day of doing whatever – when you go to bed at 4:30 AM and get up at 1:00 PM, the day has a way of getting away from you.  So by the end of breakfast, it was already time to get going for Lilly Coogan’s and Lucky Jacks, both in the LES.  Lucky Jacks didn’t end up happening, because Lilly Coogan’s went very well.  Our new friend Jaclyn Dima signed us up for a spot around 11:00, I got to hang with Tina and a good friend from way back, Kristen King, whom I haven’t spoken with in ages.  We played our spot, and then played “The Weight” and “Long Black Veil” with a gent named Andrew, very cool dude, and another gent named Brad came up and jammed with us on saxophone for the next two hours.  Jaclyn let us loose, which was good for everybody.  Again, we ate – Papaya King, I think, which was awesome, and then headed back.

 

Friday was the Silk Road.  I always contact these folks a couple of months ahead, to see if they can get us on for the Friday Night Show.  Always a highlight of the trip for me, and this year was no different.  We got in and up right away, and played for a very kind and appreciative audience.  Last time we were here, a big festival was taking place in Little Italy, just a couple of blocks over.  Tonight the streets were quiet.  I think we headed back, but I can’t remember exactly.

 

Saturday got an early start at Banjo Jim’s on 9th and Avenue C.  Great little place, but the cold was so harsh that it pulled the guitars out of tune.  The room is so crowded and the audience listens so intently that it makes it a little hard to play there, but we still had a good time.  We were invited to a party in the Upper West Side that night, which was great.  But afterward we had a hard time finding something to eat, so McDonalds was what we got.  Sucked.

 

Sunday was supposed to be the pinnacle of the trip, because we had Pete’s Candy Store and Bar Matchless, two very nice pubs a couple of blocks apart.  When you can find places that are close to one another, you’re doing well.  But we missed the signup at Pete’s and Bar Matchless was closed for a private party in the stage room, so we were out of luck.  Happily, I had a backup plan – a little place called Perch Café in Park Slope.  Met some great poets, comedians and musicians and got to play for a very receptive crowd.  So we turned it from nothing to something, and that was a good thing.

 

Monday was a night off – I meant to hook up with our friend Craig Greenberg at either Caffe Vivaldi or Kenny’s Castaways, but I had made the commitment to see Wakey! Wakey! at the Livingroom on Ludlow.  So I was bummed that I didn’t get to see him play.  But Wakey was great, glad I was able to catch that show.  Very crowded.  And Tuesday night we returned to Bar 4 to bookend the week of wonder.  Wednesday we walked around a bit, saw Geoffrey Rush near Lincoln Center, then caught a cab to Newary Liberty Airport for our flight back home.

dhc-for-le-pichet

Oh, it's on all right...

DHC is mere hours from boarding a plane for NYC.  I will post regularly; daily if possible, but that is pending my discovery of a good cheap internet cafe.  First stop is the Sidewalk at 94 Avenue A, 11PM on Tuesday night.  And congrats to Obama and to all of us for finally shaking off the last 8 years and starting fresh.  It all begins now, folks.

Check back, and for the love of pete, give me a comment from time to time.  I hate to think I’m just talking to myself here.

J, DHC

We have a little break coming up as Kev heads back to Chico for a little while. Good time to let you know what’s coming up, though. Let me sing you through it…

Here I am, singing it sweet to you.

Here I am, singing it sweet to you.

New Years Eve is up in the air, but I imagine we’ll find a place to play. On Sunday January 4, however, we will be laying it down at Le Pichet on First. It’s an afternoon thing, so if you’re near the market we would love to sing you some songs as you eat country pate and drink champagne. The pate comes with cornichons.

That’s Sunday Jan 4, 2:00 or so. And if you’re interested in a copy of Floatin, leave a message. We’re preparing a second run in early 2009.

Take care everyone – have a great holiday season.  I can’t say how excited I am that we’re nearly into January 2009.  This year feels like a bigger NYE than we’ve had in the past, but I can’t quite figure why that is.  See you soon, NY!

Jeremy, DHC

Might as well try to kick a waterfall.  I recently posted about The Local Music Show, created and hosted by John Richards from KEXP (Seattle cable channel 21).  And though my blogging tone had a sound of frustration, any of said frustration was meant for this city and the people in it, and our overly conciliatory tone, trying to please all the people all the time. 

I think I mentioned at one point that if John Richards doesn’t get out to shows enough, what hope is there?  Which is incredibly unfair.  That guy lives music.  He is to Seattle’s music what Tom Douglas is to Seattle’s restaurants.  A starry-eyed dreamer who sees the opportunities for improvement and calls us all out on those opportunities.  I am thankful he is here in Seattle, giving us the benefit of his enthusiasm.

Anyway, John, if you are one of the 4 people who checked out this blog in the last month, I hope we’re cool.  My comments were rooted in the same frustrations that prompted you to host that discussion that got me so amped.  Keep rocking, homes.

Jeremy, DHC

I was watching a show on TV last night that really borderline infuriated me, and I’m trying to figure out why.  I actually really liked the show – it was on Channel 21, the “Seattle Channel,” and the show was titled The Local Music Show, and it was hosted by John Richards from KEXP.  The format was beautiful and inviting, and Mr. Richards was talking to a number of professionals in the Seattle music community.  I recall conversations with the booking manager at Nectar, the owner of Funhouse, the owner (I think) of Chop Suey, Hannah Levin and a member of the Heavy Hearts.  And the conversation was way up there – very smart and engaged people talking about the business of fun in this big little city.

 

I think what I liked most was that there was a conversation going on at all, and that it centered around the question, “why are Seattle audiences so lame, and why are all the clubs closing?”  At least that’s what I came away with.  I didn’t keep a formal tally of the number of times Mr. Richards (he seems a little young to call Mr. Richards, but I don’t really want to call him just John) came forth and said “People Don’t Go Out To Shows Enough In This Town, Including Me,” or some version of that sentiment, but it was plenty.  It felt to me like that was the thesis of the discussion, along with “do people prefer DJs to live music,” “is City Hall doing enough to support the clubs,” and “why do stupid condo owners call the police because of the stupid noise when they were the ones stupid enough to buy a condo above that stupid club?”  And this is where I started to get irritated.

 

Not getting out enough?  KEXP is supposed to be all about local talent.  If Mr. Richards is saying he doesn’t get out to enough shows, what hope is there for this city?  Look at the listings in the weeklies – there are dozens of shows to choose from every night of the week.  These are the people who make up the Seattle music community, not the bands from out of town who bring all the supposed tourists.  There is good music out there, a lot of it for free to whomever wants to watch. 

 

And as for the zoning and condos stuff – what are we, children?  If we want to change the dynamics of the Seattle music community, we need to get going with our list of demands.  First, we need a 4AM closing time, instead of the standard 2AM or earlier (long an issue of interest for DHCPAC).  Second, we need to establish which parts of town are the party districts (Belltown, Cap Hill, Ballard, etc.) and then make this status very clear to those who want to buy property in said districts.  Because people who want peace and quiet and then buy a place above Chop Suey are asking for it.  You should have to check a box on the deed when buying one of these places that says “I am buying a place inj a party district, and hereby waive my right to bitch about it later.”.  This isn’t rocket science – it’s simple transparency.  Third, we bulk up construction of new clubs in these club zones and discourage the construction of family housing in those places.  You can still build, but make them sturdy but inexpensive lofts and efficiency apartments, built with class, built to last, but fully intended to be cheap places in the middle of Party Central.  Welcome back, cheap rent in the arts district!

 

We’re too nice about this stuff.  Every time there is a disagreement between property owners and whoever it is that happens to be pissing off property owners at any given time, a task force is established.  Then a task force is created to do a fact-finding study on what the first task force accomplished.  Then someone takes the city council to court to stop all this frivolous and wasteful spending on task forces.  Years later, 20 more clubs have closed, replaced by 20 luxury condominiums.  Enough of that – there are enough young voter-eligible adults in this city to force a change if any of them really cared.  But they don’t.  We don’t.  We can listen to music at home a lot cheaper, and anyway it’s raining and I’m too tired to go out.

 

We (DHC) have been to New York a couple of times now, and we have our next trip planned for January 2009.  Every time I have been there and then returned, I immediately start planning my next trip there.  When I leave it is because I have to, not because I want to.  And the reason is that people there have a good time with music.  We don’t do that here in Seattle.  Here, there are more roadblocks to having a good time than the good time is worth.  Blame it on condo owners, blame it on Mayor Nickels, blame it on a too-early closing time, blame it on lack of parking and transit, blame it on the economy, high covers and expensive drink minimums, but what it comes down to is that Seattleites don’t really know how to have a good time.  Every event has to be filtered through a lens of what is cool, what is kitschy, what is sufficiently rebellious, what are their political leanings, who knows who, and how far you would have to go to experience something different, and whether it would be worth it when you got there, and really, wouldn’t it just be easier to stay home and blog about how shitty the Seattle music scene has gotten and how all the best clubs are closing?  As I watched The Local Music Show, with all of its penetrating discussion, I realized that people have as much fun talking about why the scene is failing as they do going out to see music.  That’s depressing.

I am so happy that we are less than 2 weeks from holding elections.  Because seriously, I can’t imagine dealing with too much more of this stuff.

Is this what it's come to?

What the f&@*!

J, DHC

Hey everyone – been away for a while, but not really away – just sitting back, rocking down, and watching this beautiful Seattle summer unfold.

 

We (DHC) have been away from our open mic hosting duties for a while now.  The Mainstage is still going strong on Tuesday nights, through the will and determination of the new hosts Sean Hennessey and Andi Francoeur, two of the most talented musicians in town.  And of course, Kat rocks the bar and Gary rocks the soundboard – if you haven’t checked it out recently, you should really do so.  Lots of great music to be heard at the open mics in Seattle, which brings me to the larger point of this post.

 

If you get out there and check out the places with a night to play, you will often run into a few who don’t allow covers.  Sometimes it’s just the way the venue prefers it.  And that is totally cool.  No arguments about that.  But in other cases, the venue puts a restriction on what can be played because of the musicians’/artists’ unions (ASCAP, BMI, SESAC and so on).  In order to be sure that musicians and songwriters are getting paid cash money, these unions clamp down on unauthorized performances of licensed material – that means you can’t play Raspberry Beret at an open mic unless you have gotten permission from Prince, and good luck with getting that phone call returned.  More commonly, the business can pay licensing fees to all of those organizations and be covered, but the fees are steep, and the fines for playing without a license are steeper when they add up.  How does ASCAP know who’s playing what on which night?  They send representatives to check it out.  And the business owner might receive a letter a couple of days later with an address where a remittance check can be sent.

 

I for one believe these unions are valuable – I would never want to see dues paying members deprived of their royalties for the work they have done.  The money that ASCAP et al distributes to these folks pays for health and dental and provides a well-deserved income.  But open mics are often held in little taverns and coffeeshops, and generally fall on a slow business night in order to bring out a few more people.  None of the musicians are getting paid; they come out, sign up on a list, wait a bit, have a beer or two, and then play three songs.  In my opinion, an “open mic exemption” from the union rules is overdue.

 

Businesses have shut down their open mic nights, and live or recorded music altogether, rather than pay the licensing fees.  That is a shame.  And I could be wrong, but I think if an appeal was made to the musicians and songwriters that the unions represent, asking to leave open mic nights out of the licensing tangle, those musicians and songwriters would at least consider it.  Musicians want their songs to be heard by as many people as possible, right?  And when some young guitar player steps onstage in front of a little crowd of people and tries a rendition of a pop song he or she loves, that is a worthy tribute.  And if that person goes on to make it big, and starts getting paid to play those covers, then the bean-counters should come back into the discussion.  Fair is fair. 

 

The question is this – does anybody know of an online tool for putting out a petition to the members of ASCAP/BMI/SESAC?  And if these folks received a copy of this petition, do you think they would support it?  Let us know your thoughts on this matter.  An open mic exemption could be very good for everybody – artists, businesses, and humanity in general.

 

Rock it down to rubble,

 

DHC

www.davehateschico.com

 

PS – DHC also keeps up a completely separate blog on MySpace (www.myspace.com/davehateschico2), but due to technical difficulties, you can’t get to them unless you subscribe to said blog.  Technology – what can you do?  J.

Seattle bikers can be real pricks sometimes.  I will say right off the top that I love bicycles.  I think they’re a great way to get around, and I think Seattle does a great job of providing what it can for bikers’ comfort.  But man alive, Seattle bikers can be real assholes and/or morons when they want to.  Of course, the same can be said of Seattle drivers, Seattle walkers, and Seattleites in every other mode of transport imaginable.  I think our people have some real social adjustment problems due to the region’s rapid growth in the 90’s, and its transformation from sleepy fishing village to major center for software and music.  But people around here don’t pay attention to what they’re doing.  Pedestrians stand at lights that have turned green, and suddenly realize that they should cross.  And then they take their sweet time.  Infuriating for a driver who just wants to take a left but has to wait until this person collects his thoughts and get walking.  And I’m not even going to start on the drivers around here.  Not enough room on the internet to open that can of idiotic worms.  Too many drivers out there afflicted with Seattle Nice, which seems to obliterate any and all understanding of the rules of the road.  But today’s topic is bikers, and there’s one prime example that I just have to relate.
 
I scooter these days.  Therefore, I find myself wedged somewhere between bikers and motorists, not truly accepted as a member of either group.  So I watch what goes on from a perspective different from both.  The other day I was heading home from work and witnessed one of the biggest asshole moves ever.  On 34th Street near Gas Works, there are bike lanes running both directions.  If you’re heading west toward Fremont , there is a bike lane running alongside the car lane.  When you get to Stone Way , there are two car lanes – one to go straight ahead, one to take a right and head north on Stone.  The straight-toward-Fremont bike lane gets swallowed up by this right turn lane, but there is plenty of room for both cars and bikes to share.  So this asshole biker pulls up to the light, dead center of the car lane, no room to get to his right and make the turn.  Cars trying to turn right are stacking up.  The car at the front of the line is edging closer – he needs the biker to move forward 6 inches in order to get past and make his turn, but the biker ignores him and stands firm.  The car finally swings the turn, but the next car behind cannot make the move any easier because this prick won’t move a foot to his left, and there isn’t adequate room to turn if he doesn’t move.  And the clincher to this prick’s prickishness is that he actually looks back toward the third car that is trying to make a right, and he fucking SHRUGS.  Like there is nothing he can do about it.  “Sorry pal, I am unable to move six inches forward or to the left.  Wish I could, but I can’t.”   What a fucking tool. 
 
Because this wanker couldn’t be bothered, the line of cars stacked back to Woodlawn – a long long stretch.  And since that light is really really long, a whole bunch of cars got stuck there idling, waiting for a turn.  I’m sure this guy got off on the fact that he could make a bunch of people wait.  But you know what, fucknut red-spandex biker guy?  You were sitting dead center in a TURN LANE.  In order to keep it moving, drivers need to be on the ball, ready to shoot the gap and take their right turn.  But because you had to feel so superior, you brought all of the work of our great urban planners – all of their planning, common sense and design for that intersection – and brought it to a grinding halt, all to feed your ego.  You’re a bitch.
 
There are plenty of forums that talk about how we need more dedicated bike lanes for the growing community of bikers, but even with the lanes, there are lots of bikers who feel no need to use them.  They ride wherever and however they like, not really caring what anyone else thinks, coasting around in their little bubbles of entitlement, not locked down to the laws of anyone else.  Weaving between cars, running lights, riding on sidewalks, locking their bikes to handrails (which people actually use to walk upstairs sometimes), and wearing stupid Tour de France-style bodysuits.  The worst of all are the ones who ride in the center of a one lane road, maintaining a steady 10 MPH, with a line of 15 cars following behind.  And nobody can pass because there isn’t enough room.  What is going through the minds of these bikers?  I wish I knew.  Can human beings really be so clueless and selfish?
 
And again, I support biking.  I have voted in favor of every levy that has come down in favor of supporting bikers.  And all you good, conscientious bikers who want to be part of the solution instead of part of the problem, I salute you.  I know you’re out there too.  Keep on keeping on.  And if you see that red-spandex shithead out there mucking it up for everyone, tell him to quit being such a dick.  He clearly won’t hear it if it comes from someone driving a car, so it’s up to you guys.
Jeremy
DHC

David Byrne wrote this article for Wired Magazine in late 2007.  I have read it about a dozen times.  One of the best and most thorough articles I have ever read concerning the music industry.  DB is the man.

http://www.wired.com/entertainment/music/magazine/16-01/ff_byrne

Hope you enjoy,

Jeremy (DHC)